| Arabic Electronic Mail Journal |
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| Egyptian Art and Culture |
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| London Phone: (0044) 07 919 021 409 |
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| Edited by S Suwellam, London, UK / |
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| • The Al-Azhar Mosque / El-Hussein Mosque /The Pyramids of Ancient Egypt / The Great Pyramid of Cheops (Khufu) / The Egyptian Museum / The Baron's Palace • A History of Christianity in Egypt / The Hanging Church / Mount Sinai / Jewish Temples in Egypt • The west bank at Luxor |
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| The Al-Azhar Mosque El-Hussein Mosque The Pyramids of Ancient Egypt The Great Pyramid of Cheops (Khufu) The Egyptian Museum The Baron's Palace |
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| The Al-Azhar Mosque Location: El Hossein Square, Cairo Egypt |
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| The Al-Azhar Mosque (the most blooming), established in 972 (361 H) in a porticoed style shortly after the founding of Cairo itself, was originally designed by the Fatimid general Jawhar El-Sequili (Gawhara Qunqubay, Gawhar al-Sakkaly) and built on the orders of Caliph Muezz Li-Din Allah. Located in the center of an area teaming with the most beautiful Islamic monuments from the 10th century, it was called "Al-Azhar" after Fatama al-Zahraa, daughter of the Prophet Mohamed (Peace and Prayers Be Upon Him). It imitated both the Amr Ibn El-As and Ibn Tulun mosques. The first Fatimid monument in Egypt, the Azhar was both a meeting place for Shi'a students and through the centuries, it has remained a focal point of the famous university which has grown up around it. It was under Yaqoub Ibn Cals that the mosque became a teaching institute. This is the oldest university in the world, where the first lecture was delivered in 975 AD. Today the university built around the Mosque is the most prestigious of Muslim schools, and its students are highly esteemed for their traditional training. While ten thousand students once studied here, today the university classes are conducted in adjacent buildings and the Mosque is reserved for prayer. In addition to the religious studies, modern schools of medicine, science and foreign languages have also been added. |
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| Architecturally, the mosque is a palimpsest of all styles and influences that have passed through Egypt, with a large part of it having been renovated by Abdarrahman Khesheda. There are five very fine minarets with small balconies and intricately carved columns. It has six entrances, with the main entrance being the 18th Century Bab el-Muzayini (barber's gate), where students were once shaved. This gate leads into a small courtyard and then into the Aqbaughawiya Medersa to the left, which was built in 1340 and serves as a library. On the right is the Taybarsiya Medersa built in 1310 which has a very fine mihrab. The Qaitbay Entrance was built in 1469 and has a minaret built atop. Inside is a large courtyard that is 275 by 112 feet which is surrounded with porticos supported by over three hundred marble columns of ancient origin. To the east is the prayer hall which is larger than the courtyard and has several rows of columns. The Kufic inscription on the interior of the mihrab is original, though the mihrab has been modified several times, and behind is a hall added in 1753 by Abd el-Rahman Katkhuda. At the northern end is the tomb medersa of Jawhar El-Sequili. |
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| El-Hussein Mosque The El-Hussein Mosque sits on the site of the cemetery of the Fatimid caliphs. It was entirely rebuilt under the khedive Ismail. Earlier this century the remains of the cemetery were discovered while work was being done on the mosque's foundations. There are forty-four white marble columns that support the wood ceiling. On one side of the mosque is the mausoleum which is the oldest part of the complex which was built in 1154 and then modified in 1236. In the mausoleum are the remains of El-Hussein. A cupola with a ceiling that is decorated and inlaid with gold surmounts the mausoleum. There are two minarets at the complex. The one on the southwest side is from the same period as the mosque. The other is contemporary in style as is the mausoleum. |
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| The Pyramids of Ancient Egypt by Alan Winston |
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| We are told of pyramids all over the world. We are told of pyramids in Australia and Greece, the United States and Spain. We are told of pyramids under the oceans and even in space. Besides the pyramids of Egypt, we certainly know of the pyramids of South Mexico down into South America. It also seems likely that pyramids exist in China, though their investigation has been limited, and we know of no formal archaeological investigation. It is very probable that the small Greek pyramids exist, but many of the remaining structures claimed to be pyramids are questionable. One pyramid in China, called the White Pyramid, is even rumored to be larger then the Great Pyramid of Khufu, though this has only been reported by one person that we know of, and the China pyramid is made of earth, while the Great Pyramid is made of massive stones. |
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| We can not really positively identify any true pyramids outside of Egypt. These are pyramids originally built with smooth sides that come to a point at the top. Most of the pyramids in Mexico, and most probably those in China were step pyramids, built up with successive "steps" of stone or other substances. Also, pyramids outside of Egypt appear to have been build for a different purpose then those in Egypt. While Egyptian pyramids most always have a man made substructure and are funerary in nature, we know of no pyramids outside of Egypt with such structures. Instead, other pyramids most often seem to have a temple, altar or chapel on the top step, and their purpose seems more oriented to that of a temple. It can also most likely be said that Egyptian pyramid complexes were more structured then those found outside of Egypt. Over very long periods of time, they often retained the same components and even a basic design. |
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| Many questions remain about pyramid's including persistent speculation, some of which is very wild. Some people seen to continue to believe that the pyramids of Egypt were built by aliens or an ancient, advanced race. Among other arguments, they provide the worldwide construction of pyramids, and the obvious difficulties involved with building these massive structures as evidence. |
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| Evolution: Monolithic, smooth sided pyramids did not just suddenly appear in Egypt. There was an evolutionary period, leading to the great pyramids of Giza that began with simple mastaba tombs, expanded into step pyramids, which led to experimentation, some of which failed miserably, and culminating with the perfected structure. In addition, the decorative themes associated with pyramids also evolved over time. |
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| Context: Pyramids fit within both a physical and theological context. Physically, they do not exist alone. They are almost always a part of a religious compound, and sometimes these compounds even fit within the larger context of the pyramid field, all of it related to the very specific religion of the ancient Egyptians. They do not honor a superior or ancient race, but rather their own well documented sun god. |
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| Snofru's Pyramid at Medum Built with Too Steep of Slope |
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| Construction Methods: We not only find the Egyptian's ancient stone cutting and other tools within the ruins of pyramids, we also find some of the ramps that they used, and evidence of other construction methods. These are contemporary tools, and construction methods that would have fit the times. Regardless, it would appear that pyramids built both inside and outside of Egypt most often are in some way related to sun worship, or at least some form of astronomical religious activity. In Egypt, pyramids were mostly built in the north, where the worship of the sun god, Re was most dominant. In fact all of the major pyramids were built not far away from Memphis and nearby modern Cairo. Most are located at Giza, on the outskirts of Cairo, at Saqqara or nearby Abusir or Dahshur, or somewhat farther away, close to the Fayoum region. At least as regards pyramids, the north was at its zenith during the late Old Kingdom (5th Dynasty), when kings not only built their pyramid complexes, but also built sun temples. |
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| While the pyramid's built in Egypt seem to be all funerary in nature, to regard them as merely tombs is an oversimplification. It involved a complex of buildings because it was the dead pharaohs palace of the afterlife, where he was mystically transformed and resurrected as a full god. The pyramid itself represented the primeval mound from which the world arose from the ancient waters. |
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| The first pharaoh to build a pyramid in Egypt was probably Djoser, of the 3rd Dynasty, It was an evolutionary step away from the mastaba tombs with their layer of stone over a substructure. In effect, the first pyramid builders simply stacked layer upon layer of stone in ever decreasing size atop one another until a step pyramid was built. |
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| Djoser's complex at Saqqara was most likely designed by the famous architect and priest, Imhotep, and was not only the first pyramid that we know of, but also the first great monumental stone structure that we know of in, or outside of Egypt.. However, like the pyramids in the Americas, it was not a true pyramid, lacking an outer, smooth casing. After Djoser, there was considerable experimentation directed towards building a true pyramid, evidenced by those such as the Bent Pyramid at Dahshure, as well as other greater failures, such as Snofru's pyramid at Meidum, which was the first to be planned as a true pyramid. At first, their attempts to build a true pyramid were foiled by designs with the sides of the pyramid at too steep a slope. However, by the time Snofru built his other pyramid at Dahshure, the Red Pyramid, they had worked this out, for it is the first of the successful, true pyramids. |
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| The culmination of the grand, most monumental true pyramids came in the 4th Dynasty with the builders at Giza, though the Red Pyramid is indeed a colossus structure. However, for all our awestruck wonder at the great pyramids at Giza, this was certainly not the culmination or even the apex of pyramid building. Only in the 5th Dynasty do we see the form of the pyramid complex grow into maturity. |
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| Pyramids did not have the same structure or follow the exact same guidelines throughout Egyptian history. The early pyramids, particularly Djoser's were very complex with many components. In these early pyramids, the placement of the subterranean chambers and corridors, as well as their number varied considerably from later pyramids. |
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| Milestones in Egyptian Pyramids: |
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| • About 2630 BC: The Step Pyramid of Djoser designed by Imhotep is the first pyramid like structure completed, and is also the world's first known monumental stone building. • About 2575 BC: The Red Pyramid is built by Snofru as the first successful true pyramid, after a number of failures. It has smoothed, cased sides. • About 2551 BC: The Great Pyramid of Kufru is built, the largest pyramid ever constructed in Egypt, and may also be the first pyramid to have subsidiary queen's pyramids attached to the complex. • About 2465 BC: Userkaf's pyramid at Saqqara is the first pyramid with an entrance in the pavement of the pyramid's courtyard on the north side rather than on the face of the pyramid itself. Strangely, the mortuary temple in this pyramid is located on the south side, with only an offering hall on the east. • About 2375 BC: For the first time that we know of, we find pyramid text within the pyramid of Unas at Saqqara • About 2278 BC: The pyramid of Pepi II is the last to be built in the traditions of the Old Kingdom, as well as the last to build any monumental pyramid until the beginning of the 12th Dynasty and the Middle Kingdom. • About 1991 BC: Amenemhet I uses mudbrick to build his pyramid at Lisht. Now, not only is the complex named, but each component of the complex is also given a name. • About 1956 BC: Senusret I's pyramid at Lisht is built with more subsidiary pyramids then any complex built before, or after his time. • About 1877 BC: With the pyramid of Senusret II at Lahun, the builders become more concerned with security then tradition, and for the first time locate the entrance to the pyramid not under the north chapel in the center of the pyramid's north wall like many earlier complexes, but rather hid the entry passage in the pavement of the pyramid courtyard near the east end of the pyramid's south side. He also incorporates a more complex substructure suggestive of a move towards the worship of Osiris, and away from the traditions of the sun cult, probably signaling the coming end to the pyramid builders. • About 1817 BC: Amenemhet III becomes the last, large scale successful pyramid builder with his structure at Hawara. Both it, and his pyramid at Dahshur are built with a monolithic Burial chamber block with niches for the sarcophagus and canompic jars. |
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| However, by the end of Egypt's 5th Dynasty, the complete nature of the pyramids evolved into somewhat simpler, standardized structures with all the necessary components. While the pyramids may not have been as grand as those of Giza, their theology had matured. |
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| With Unas, the last ruler of the 5th Dynasty, we find a pyramid complex with all the components and the proper layout, design and construction. This pyramid is oriented east-west. It had a pyramid, built with a local limestone core and fine white limestone casing, with a north entrance chapel, and beneath the pyramid, a substructure consisting of a descending entrance corridor, with a barrier, leading to the dead king's mortuary apartment directly under the vertical apex of the pyramid. The corridor first arrives at an antechamber, and to the right, or west is the burial chamber, while to the left (east) was a small annex chamber. |
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| There was a pyramid courtyard, a small cult pyramid, thought to be perhaps for the king's ka (soul) and a mortuary temple just to the east of the pyramid. The mortuary temple consisting of an outer section with an entrance hall and an open columned courtyard, which would often have a basalt floor. The columns supported an ambulatory around the outskirts of the courtyard. The inner sanctum of the mortuary temple had a five niche chapel and behind it an offering hall with a false door adjacent to the pyramid, and centered before it, an altar. The false door allowed the dead king to enter the offering hall in order to take his symbolic meals. Both the inner and outer sections of the mortuary temple had storage annexes to either side The inner and outer sections of the temple were also divided by a transverse corridor. Throughout the structure, liberal amounts of pink granite and fine white limestone were used to sheath walls and for other purposes. |
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| This complex was surrounded by an enclosure wall. A causeway, often covered, connected the mortuary temple and pyramid to a small, valley temple, which in many cases was nothing more then a monumental gateway. In the valley temple, causeway, mortuary temple and substructure of the pyramid, all the proper decorative themes were mostly present, including now finally the famous pyramid text. While none are present at the |
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| pyramid of Unas, we might also expect to see subsidiary pyramids and tombs for relatives of the king within the outer enclosure wall, and near the complex there would have been a small town. While the pyramid was being built, workers and craftsmen would live in the town. Priests and others employed by the mortuary temple would live in a community such as this indefinitely, or at least as long as the king's cult retained worshipers. While Unas's pyramid was not the grandest, or the best preserved, it was a milestone in pyramid construction, with a balanced and complete design. |
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| After Egypt's First Intermediate Period, the 12th Dynasty saw the resumption of monumental pyramid building, but these new pyramids were built of mudbrick cores and did not fair as well over time as the great pyramid's of some earlier builders. As time progressed, and the end of the pyramid age approached, pyramid construction began to again be less structured. Some traditional concepts, such as the door of the pyramid being located under the north chapel at the center of the pyramid's north face became less important then hiding the door from tomb robbers. It is probable that these pyramid builders forgot some of the skills of their predecessors, for often they have a difficult time placing the burial chamber under the pyramid's vertical axis. |
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| Now, rather then queens having their own smaller pyramids within the complex, they are buried within their own chambers of the main pyramid. And even though some of the tradition is lost, some traditions strongly revert back to design concepts from Djoser's complex at Saqqara. |
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| But with the coming of the Second Intermediate Period, the power structure of Egypt began to shift to the south, where the sun cult was not as prevalent as in the north. There would be some revivals later in Egypt's history, but for the most part this move signaled the end of the pyramid builders. Perhaps because of available resources, but most certainly also because of changing religious concepts, Egypt left the domain of the pyramid for the high decorative themes and more complex religious theology of the tombs on Thebes' West Bank. This was nevertheless an evolution, for we see many aspects of the pyramid complexes carried over into these new mortuary complexes. The Great Pyramid of Cheops (Khufu) |
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| How the Great Pyramid was built is a question that may never be answered. Herodotus said that it would have taken 30 years and 100,000 slaves to have built it. Another theory is that it was built by peasants who were unable to work the land while the Nile flooded between July and November. They may have been paid with food for their labor. The flooded waters would have also aided in the moving of the casing stones. These stones were brought from Aswan and Tura and the water would have brought the stones right to the pyramid. This pyramid is thought to have been built between 2589 - 2566 BC. It would have taken over 2,300,000 blocks of stone with an average weight of 2.5 tons each. The total weight would have been 6,000,000 tons and a height of 482 feet (140m). It is the largest and the oldest of the Pyramids of Giza. |
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| Not much is known about Cheops (Khufu). The tomb had been robbed long before archeologists came upon it. Any information about him was taken with the objects inside the tomb. He is thought to have been the ruler of a highly structured society and he must have been very wealthy. He was buried alone in this massive tomb. His wives may have been buried nearby in smaller mastabas. |
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| The encasing marble which covered the outside of the pyramid has eroded or been removed over time. With this casing off, the pyramid lost 33 feet (11m) of all of its dimensions. The top platform is 10m square. The base of the pyramid is 754 feet and covers 13 acres. The original entrance to the pyramid was about 15m higher than the entrance that is used today. Apparently Al Mamum, who opened up the new passage, could not find the original opening. The new passageway leads straight across and joins in with the original passage, the descending passage. The descending passage led only to a subterranean chamber. This descending passage that leads down is set at a 26 degree angle that descends down 345 feet (105m) into the earth under the pyramid. The passageway is only 3'6" (1.1m) wide and 3'11" (1.2m) high. The chamber is closed to the public. The chamber itself is room that measures about 46' x 27'1" x 11'6" (14 x 8.3 x 3.5m). There is a passage that leads 100 feet horizontally to the western side. The purpose of the pit is uncertain. It is possible that it could have been the burial chamber, but after a change of plan, it was abandoned. |
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| The descending passage beyond where the new entrance meets it, is closed off by a steel door. The ascending passage rises at the same angle as the descending, 26 degrees. The ascending passage leads up into the pyramid. The ascending passage is the same dimensions as the descending, 3'6" (1.1m) wide and 3'11" (1.2m) high. It can be quite a difficult trek for some people. The passage leads on for 129 feet (39m). |
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| Above this chamber is a series of five relieving chambers which are essential to support the weight of the stones above and to distribute the weight away from the burial chamber. The top chamber has a pointed roof made of limestone blocks. This is the most important of the relieving chambers. In these chambers, are found the only inscriptions in the whole pyramid. |
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| Around the Pyramid |
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| At the point where the ascending passage levels off, you can go two different ways. If you continue on horizontally, this passageway leads into the Queen's Chamber. The Queen's Chamber was never used. The floor in this room was never polished, it's still rough. Egyptologists believe that the chamber was brought to this point and then the builders changed their minds and moved to the King's Chamber. The possible explanation for the abandonment is that the sarcophagus built for Cheops was much too large for the narrow passageways that had already been built. There are ventilating shafts that are another mystery. These shafts are sealed at the extremities on both shafts. The shafts must have been made as the pyramid went up, since the builders most likely would not have continued to make the shafts after the decision to abandon the chamber. It is also thought that these are not actually ventilation shafts, but more of a religious significance. This could be related to the Ancient Egyptian's beliefs that the stars are inhabited by gods and souls of the dead. |
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| As you come out of the pyramid you can see the remains of the original enclosure wall which is on the north and east side. It lies about 10m from the base of the pyramid. Little remains of Cheops' Mortuary Temple. What is left is basalt paving and lies near the east side of the wall. You may also see occasional traces of the causeway that led from the valley temple in the village, Nazlat al-Samman, at the foot of the plateau. This causeway collapsed during the last 150 years. Three small pyramids stand to the east of Cheops' pyramid. These are thought to have been for his sister, Merites, who was also his wife, and possibly two other queens. |
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| The second, and more spectacular, way at the leveling off point of the ascending passage, is to continue upwards to the Grand Gallery. The gallery is 157 feet (48m) long and 28 feet (8.5m) high and is at the same 26 degree angle as the passages. The roof of the gallery is corbelled. It is said that not a piece of paper or a needle can be inserted between the stones making up the roof. The gallery is only 62 inches (1.6m) wide at the bottom and is only 41 inches (1m) wide at the top of the incline. |
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| The Grand Gallery leads into the King's Chamber. The walls of the chamber are made of pink Aswan granite. Inside this chamber is the very large sarcophagus made of Aswan red granite, with no lid. The sarcophagus must have been placed inside the chamber as the pyramid was being built. It is much too large to have been moved in afterwards, as was the usual custom of that time. The King's Chamber is 34'4" x 17'2" x 19'1" high (5.2m x 10.8m x 5.8m high). This chamber also has the possible ventilation shafts as the Queen's Chamber. They are at the same angle as the shafts in the Queen's Chamber. The thought about the religious significance applies to these shafts as well. The main feature of the sky at night, was the Milky Way. The stars were thought to have been the Nile in the sky. The southern shaft from the King's Chamber points directly to where Orion's Belt would have been in the ancient sky. The southern shaft of the Queen's Chamber points to Syrius. The northern shaft of the King's Chamber points to the circumpolar stars. These stars never disappear in the sky. It is thought that these shafts were to help the spirit of the dead pharaoh find the important stars. |
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| To the west of the great pyramid is the Royal Cemetery. It contains 15 mastabas which have just recently been opened to the public after having been closed for over 100 years. Discovered at this site was the mummy of a 4,600 year old female. She had a completely unique plaster encasement that has never been seen or found anywhere else. |
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| At the base of the south face of the Great Pyramid, sits the Boat Pits and Museum. The five boat pits were discovered in 1982. One boat is located at the site and can be seen at the museum. The boat, which is encased in the stones, has no nails. It was held together with ropes and pegs, but not nails, and is amazingly intact. The purpose of these boats may have been intended for travel to the after-life or to accompany the Sun-God on his journey. |
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| The Egyptian Museum |
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| Location: |
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| Cairo, Egypt |
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| How to get there: |
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| International flights direct to Cairo, or via many European and Eastern European cities. Also package tours and charter flights. Contact your travel agent for details. (Click here for a tip on how to save time on your first visit to the museum.) |
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| Description |
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| The Egyptian Museum was first built in Boulak. In 1891, it was moved to Giza Palace of "Ismail Pasha" which housed the antiquities that were later moved to the present building. The Egyptian Museum is situated at Tahrir square in Cairo. It was built during the reign of Khedive Abbass Helmi II in 1897, and opened on November 15, 1902 (More History). It has 107 halls. At the ground floor there are the huge statues. The upper floor houses small statues, jewels, Tutankhamon treasures and the mummies. |
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| The Museum also comprises a photography section and a large library. The Egyptian museum comprises many sections arranged in chronological order |
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| • The first section houses Tutankhamon’s treasures. • The second section houses the pre-dynasty and the Old Kingdom monuments. • The third section houses the first intermediate period and the Middle Kingdom monuments. • The forth section houses the monuments of the Modern Kingdom. • The fifth section houses the monuments of the late period and the Greek and Roman periods. • The sixth section houses coins and papyrus. • The seventh section houses sarcophagi and scrabs. |
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| A hall for the royal mummies was opened at the museum, housing eleven kings and queens. |
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| More than a million and half tourists visit the museum annually, in addition to half a million Egyptians. |
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| The Baron's Palace Fables, Legends and Controversies by Heba Fatteen Bizzari |
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| Editor's Note: It would seem that the Baron's Palace in Greater Cairo, after the Great Pyramid and Sphinx of Giza, is subject to more fables, legends and rumors than any other monument in Egypt. I was astounded to hear from a guide, who was very serious, that the old palace was build upon a type of turnstile that would rotate the whole building so that its windows were always facing the sun. Of course, that was urban legend in Cairo, but for many years, this building in Heliopolis has ignited the imagination of the local population with all manner of fables, legends and rumors. |
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| Today, the Baron’s Hindu Palace remains the subject of countless rumors. From time to time new rumor spread about this landmark which has been deserted for many years. It’s haunted by bats, stray dogs, and others believe by ghosts. And while the place attracts some architects for it richness, it also seems to have attracted teenagers for their wild parties. They would break into the place on weekends, drink beer and smoke hashish. In the late 1990s, the palace was said to be filled with tattooed, devil- worshipping youths holding orgies, skinning cats and writing their names in rats' blood on the palace's walls. Of course, as old houses go, we suppose it could or could not be haunted, but the palace now has two guards who are responsible for making sure that nothing too extraordinary happens inside. |
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| The Palace’s builder was the Belgian-born industrialist, Baron-General Edouard Louis Joseph Empain (1852-1929) the prodigal son of a village school teacher who became one of Europe's greatest colonialist entrepreneurs of the 20th century. Empain had extensive business interests in Indonesia and in time became a well known amateur Egyptologist. He arrived in Egypt during January, 1904, intending to rescue one of his Belgian company's overseas projects, which was the construction of a railway line linking Matariya to Port Said. That project had run afoul of British interests and he ended up losing it to the Britons. Beaten in the railway department, Empain lingered in Egypt, however, instead of cutting his losses and going back home. Those who knew him claimed then that he had fallen madly in love with the desert. Others murmured that, despite a long-standing affair in Belgium, which had been blessed with two illegitimate children, he had succumbed to the charms of Yvette Boghdadli, one of Cairo's most beautiful socialites. He then came up with the idea of acquiring low-cost land and using it to build a residential area linked to Cairo by fast public transportation. He set up the Heliopolis Oasis Company in the following year. |
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| His efforts culminated in 1907 with the building of the new town of Heliopolis, out in the desert ten kilometers from the center of Cairo. It was designed as a "city of luxury and leisure", with broad avenues offering sweeping monumental perspectives, equipped with all necessary conveniences and infrastructure, including water, drains, electricity, hotel facilities such as the Palace Hotel and Heliopolis House, and recreational amenities including a golf course, racetrack and park. In addition there was housing for rent, offered in a range of innovative design types targeting specific social classes with detached and terraced villas, apartment buildings, tenement blocks with balcony access and workers' bungalows. |
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| The new city also represented the first large scale attempt to promote what later came to be called the "modern Arab style", known in its own day as the "Moorish style". However, for his own extravagant house, that was build between 1907 and 1910 and overlooks the town, he chose an architectural style that was very different. |
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| For his own home he chose a prestigious location in Heliopolis and ordered Alexander Marcel, a French architect and a member of the prestigious French Institute, to build him a Hindu palace. Some say it was supposed to be more or less a copy of the temples of Angkor Wat in Cambodia that he had seen during his travels in that country, while others say it is modeled on the fabulous Hindu temples of Orissa. |
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| Empain brought the best Indonesian artists and sculptors for its construction. They built it on an artificial elevation to enable the Baron to watch the rising of Heliopolis. The palace’s striking exterior was the responsibility of Marcel, who reproduced a motley of busts, statues, elephants, snakes, Buddha's, shivers and Krishna's. The sophisticated interior was the responsibility of his French associate, Georges-Louis Claude. This team was also responsible for the construction and decoration of the Oriental Pavilion attached to the Royal Palace of Laeken in Belgium. |
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| The Palace was, of course, built in a very select neighborhood. Amongst other lofty neighbors, to his left facing Avenue Baron was the Arabesque palace, which is now military Headquarters, but which originally was the home of Boghos and Marie Nubar Pasha. It was the pasha who assisted Baron Empain in purchasing the 6,000 acres of empty desert at one pound each on which he built Heliopolis. Diagonally opposite stand the former residence of Sultan Hussein Kamel, who reigned over Egypt between 1914 and 1917. Today, that is a presidential guest house. |
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| Since visitors are not allowed into the palace, not much is known about its interior today. It consists of two floors with two additional subterranean floors. The underground floors contain a family mausoleum, a kitchen and the servant's room. There are two elevators and even a tunnel that connects with the nearby church built by the Baron. |
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| Of course, the Baron himself was the first to occupy the palace. He entertained all of Egypt's hotes de marques including King Albert and Queen Elizabeth of the Belgians during the Pre-World War I visit to Egypt. Although dwindling in numbers, there are those who still remember when the landscape surrounding the Hindu Palace was a wonderland festooned with ascending green terraces each with its own set of erotic marble statues and exotic vegetation. As guests negotiated the terraces on their way to the grand steps leading into the awesome palace foyer, they felt as though some mythical Deus was watching from the palace's interior. These theatrics pleased the Baron to no end. |
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| Next to occupy the palace was his playboy son, Baron Jean Empain. He entertained his guests either at the Heliopolis races or at his innumerable palace balls where he cut a dashing figure with his multiple consorts. It was an American cabaret dancer Rozell Rowland a.k.a. Goldie who finally nailed him to the altar. The 'prince' and the showgirl had met in a Cairo night club where she performed painted entirely in gold. The last of the Baron's family to occupy the palace were Janine and Huguette Empain, who actually preferred the lounges of the trendy Heliopolis Sporting Club or the Roof Garden of the old Semiramis Hotel to the sepulchral halls of their grandfather's palace. The palace was finally sold off by its owners in 1957 to two families, Alexem and Reda, who were of Saudi origin. |
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| Today the spark of the place has vanished. It has become an architectural masterpiece that produces incredible stories and rumors, but like these stories and rumors, is void of inner beauty. Gone are the Fresco murals, massive gilded doors, balustrades, parquet floors, gold plated doorknobs, and the Belgian mirrors which were wrenched from their sockets. Now it is best known for the bats which inhabit it, and desecrate the floors with their droppings. |
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| The Egyptian government would perhaps like to turn the palace into a desert museum, or maybe a pantheon for Egypt's great. Unfortunately, they do not own the building and those who do are said to have an asking price of $50 million US. That is far more than the Supreme Council of Antiquity's annual budget. The owners talk of turning the palace into a gambling casino or even a Euro style medical center. Unfortunately for the owners, their options are limited. Law 117 forbids the selling or purchasing of buildings that are deemed to be antiquities. So for now it would seem, the Baron's Palace remains one of those landmarks that is yet to see the light of restoration. |
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| No doubt incredible stories will continue to come out of this palace and its lost fortunes. None however will be more unbelievable than the one about the priceless architectural treasure left to decay and crumble in full view of every minister, VIP, tourist and other air passenger as they motor up the airport road on their way in or out of Cairo. |
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| credit to Tour Egypt |
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